Monthly Archives: October 2013
Good news. As anticipated, I’m feeling much more upbeat and inspired today. It’s funny how a good sleep and a new day can change one’s outlook
Today I started off feeling rather inspired. Unfortunately as the day progressed and the pressures of my day job mounted, that inspiration simply drained away.
On one level it is fascinating how my creative mood can shift so suddenly. Just when I think I’m on a roll… BAM! …my mind is suddenly void of any exciting ideas. It’s an extremely mild form of temporary depression. For a little while, all of my ideas seem ridiculous. The colours fade. Those plot points, once so solid, now drip like water through my fingers, dissolving away to nothing.
They’ll come back. The certainty and excitement will return. But not tonight. No point in forcing it. I’m going to go to bed, pull out my iPad and watch Doctor Who.
Really. It does.
You see, I have just finished listening to the audio version of Story: Substance, Structure, Style and the Principles of Screenwriting by Robert McKee. And now my brain hurts.
Life experience and a talent for words does not a writer make. I knew this. Deep down I’ve always known that the act of writing is not only about honing an ability to turn a good phrase or write a vividly, poetic paragraph.
And there is only so much we can learn on our own. Mentorship, formal classes, informal groups and study are necessary if one is to take a born aptitude for writing and turn it into a craft. Listening to Story is like a slap in the face – a reality check and a reminder that storytelling is much more than being able to string words together. Storytelling is much more than regurgitating our personal experience of literature, television or film. It is having a story to tell and then telling that story well, as the saying goes.
It has given me a lot to think about. Perhaps most significant is that it has made me think about the way I work. I found myself reacting quite strongly and almost defensively to some of the statements made in this book. I am one of those people who dick around with ideas for weeks on end before ever putting pen to paper. I’m also one of those people who sits down and starts to bang out scenes that have caught my imagination without thinking about where the story is headed. It works sometimes. I have been able to produce stories this way. And yet the most successful story writing experience that I have had so far was after I’d forced myself to write an outline.
In hindsight, if I’d not had a deadline to meet (or if I’d been more diligent) I’d have gone back over my outline and worked and reworked it within an inch of its life before beginning my story.
Then there are all the intricacies of plot, substance, structure, rhythm, pace, characterisation, turning points, acts, rising and falling action, action/reaction, values, conflict, crisis, character revealed under pressure, inciting incidents, subplot, subtext, revelation, dialogue, the list goes on. Perhaps I might blog about a few of these things in the next little while. It might help me to marry my instinctual understanding of these aspects of story to what I am studying and practicing consciously. Like vocalisation, writing things down helps me to process. Yes, that sounds like a good idea. We’ll see how that goes.
Today I was sent the cover for my Doctor Who novella Evolution!
I’d post it here but I’m not allowed to yet. It’s being kept under wraps along with all the other covers for the stories in this season. I’m really excited about it though – and extremely happy with that way it has turned out. It’s so lovely to see a scene (or a landscape in this case) brought to life by an artist.
I’ve now done my final edits and the manuscript has been returned to the editor for one last glance. I don’t expect that I’ll need to make any more changes, which is great. I can now focus on my next project… more to come on that soon!
Yesterday I wrote a poem because all the cool kids were doing it. Okay, so that’s not quite true. I’ve been added to a Facebook group described as “A competition-free relentless support group for radical poets and artists of all flavours”.
After my original offering of, “There once was a man from Nantucket…” I came up with this.
Also, I am not a poet
Standing in the void
requires nothing of me save presence,
as all is stripped of meaning
and Desire is all that’s left.
No past, nor future, nor parallel existence
holds my hand and beckons me
No, I shall languish and thrive instead
in a paradox of pain and potential
This moment -
the dark seed of a thousand suns
reaches in and plucks out my beating heart
holding it up to my face
…and I follow.
This article was written for the Yahoo Contributor Network on 25 March 2010.
When I told people I was planning to have my daughter with us when I birthed my son, almost everyone freaked out. The polite ones would say, “Do you think that’s a good idea?” The people who cared less or were in a state of shock said, “You can’t do that!” And so began my battle with the world to have my family experience this birth with me. My whole family.
My daughter was three and a half when my husband and I began talking about our options. Would she be able to handle it? Would we traumatise her? Would I be able to focus with my daughter in the room? Would my husband be distracted by our daughter instead of being able to concentrate on me? And the most pressing question of all: what would happen if the birth went wrong?
Despite all of the fears I still felt quite strongly that having our daughter with us was the right thing to do. I know my daughter and I know myself. I knew instinctively that this should be a family experience and that we could handle any outcome that eventuated if we took the right precautions. So if you’ve ever thought of involving your other children in your birth, these are some things you should think about.
Is it appropriate?
Not all children should witness such an intense experience and age is a very important factor. Older children may not want to share this experience and their opinions should be respected. Under no circumstance should a child be made to witness something that they do not wish to experience. Younger children may not have the maturity to deal with seeing their mother in pain, or may not be able to keep themselves amused while the parents are focusing on the birthing. Toddlers may be more interesting in climbing all over you.
Choosing to birth in a hospital (which is scary for some of us without the screaming women) may not be the best place to have other children with you. Children are more likely to feel uncomfortable in a hospital and this in turn may cause them more stress than they would normally exhibit in a more familiar environment. Home birthing or opting to birth in a Family Birthing Centre may be more conducive to having other children involved.
There is also a much higher instance of intervention in a hospital and so there is much more chance of your older children witnessing things like foetal monitoring and the administering of pain relieving drugs. These may not be procedures that you wish your children to witness and will really depend on how you feel about it and whether you honestly feel your children will have a problem with seeing you strapped to a machine or with an IV in your arm.
Is it possible?
Intervention that is more serious than basic monitoring or administering fluids is probably not something you want your children to witness. Childbirth is natural. Intervention is a medical procedure. If you have a high-risk pregnancy or your labour becomes high risk then having your children with you really isn’t an option. In fact I sincerely doubt that any hospital is going to allow you to have children in with you unless you have a private room or birthing suite. Even in these circumstances you will need to find out more about your hospital’s policy when it comes to having children with you for the birth.
Prepare, prepare, prepare
In all likelihood it will be impossible to determine whether your child is mature enough to witness birth until you have at least broached the subject many times with your child. This may start off as expressing your hope that your child can attend and extend to include watching birthing videos, reading books together and having discussions with your child about what may or may not occur.
I had many discussions with my daughter about my impending labour. While I made sure that she had the facts (in age-appropriate language), I also explained to her that birth is a natural thing. For example, I told my daughter that it was very likely that I would be grunting or screaming. I explained that birth hurt but at the end we would have a beautiful baby boy as part of our family. I made sure she understood that I had experienced this pain at her birth and that it was worth it because she is here with us now.
We even played games by taking turns at yelling, trying to mimic what she may hear. When I was in labour with my son, my daughter spent much of her time standing next to me in the shower, hanging off the support bar and grunting! When my husband asked what she was doing she said, “I’m helping mummy!”
Have a back up plan
I never intended to allow my daughter into the birthing suite at the Family Birthing Centre without having a back up plan in place. My husband and I discussed this at length then asked for his sister to be “on call”. If at any stage our daughter became distressed, needed a meal or otherwise needed taking care of, my sister-in-law (who lived five minutes from the hospital) would come and pick her up.
We made sure that my daughter understood that this option was available to her. While she was only three at the time, we knew our daughter well enough to know that she would tell us in no uncertain terms whether she wanted to stay or go.
If you don’t have a support person who lives near the hospital, try to find someone who can actually come to the hospital. Depending on how close you are, they may even be able to attend the birth if you and they are comfortable with this. The advantage to this is that they can look after your child without leaving this up to your partner solely.
We were extremely lucky and did not have to even call for assistance.
Bring a sibling bag
Make sure that your other child or children have their own bag. No one knows how long your labour will be and it is of absolute importance that your other kids have things to keep them amused. Bringing toys and books will give children something to occupy them. It will also give them permission to go off into the corner and have a bit of their own time. Packing food, snacks and water is also important so that your partner or support partner is not forced to leave you while they go and hunt down food for the kids!
Be prepared to cop some flak. My parents were dead set against the idea, even speaking with their own GP to try and gather “expert evidence” to support their fears. My mother-in-law was beside herself. Some of my friends knew me well enough to avoid the topic while thankfully others supported me completely. Colleagues pretended to be supportive while doubts flickered behind their eyes. Some weren’t even old enough to seriously consider having children of their own.
It seems that decisions about labour and birth are everyone’s business. It never fails to amaze me just how controversial our own choices can become. The medical profession has put enough fear into the general populace that most people consider handing complete control of women’s pregnancies and labour over to a stranger “erring on the side of caution”. Some people will even treat you as though you are taking needless risks, being selfish or are being just plain irresponsible. It takes a strong woman to stand up in the face of that kind of criticism and make her own informed and instinctive choices.
By the way, all doctors who we spoke to (or my parents spoke to) said they were not in favour of having children at a birth. Conversely, all midwives we spoke to truly supported our decision, even giving sound advice and sharing stories of other parents who had made the same decision.
If you have decided it is appropriate and possible to have your other children witness your labour, if you have prepared your child and have a back up plan in place, then there are many benefits to making this decision.
Your older child will not be confused when you suddenly bring a baby home from the hospital. They will know exactly where they came from and will have felt just as part of the experience as you and your partner.
I believe this has prevented my daughter from feeling excluded. She was therefore never threatened by the presence of another little person in our lives. From the moment our son was born, our daughter has been completely involved in this change to all our lives. She was never a bystander, watching from the outside while everything changed around her. I honestly believe that this has given her more stability and security. Sure my kids are still young, but they are extremely close.
My son’s first word was not “Mama” or “Dada”. It was “Amber”.
This article was written in April 2010 for an Australian independent magazine. Unfortunately (as often happens in the freelance writing industry) the article was put on the back-burner.
If I’d written this article today, it would look a little different. It is interesting to see how my understanding of Witchcraft, Paganism and spirituality has evolved over time. I’m mostly happy with this article but must confess to cringing a little when reading about dichotomies of “Goddess” and “God”. It is not incorrect to state that many Witches believe in this concept. And it is also accurate to say that many, including myself, don’t necessarily view deity as a reflection of gender.
The light of day has long since faded and night has fallen upon an urban parkland in Pascoe Vale, Victoria. Six figures move carefully through the trees, their way illuminated only by the shadowed full moon and two or three lanterns that flicker with weak candle light. Low murmurs arise from the silhouettes as they take their positions in a circle at the centre of a small clearing.
Suddenly something clatters loudly and one of the shadows mutters an oath. The rest of the group laugh softly and the reverent procession is temporarily broken– until the clouds part momentarily. The full moon’s iridescent glow falls upon the group who turn their faces upward in unison. It is time.
A lone figure circles the group in a counter-clockwise direction holding a ritual knife aloft. She calls out into the night.
“Elements of Air! Fire! Water! Earth! Come forth into our Circle! We call to the Gods and invite them to bear witness! …The Circle is cast… We are between the worlds.”
The rite begins.
It may sound like some fantasy novel or a Hollywood script, but every month in this country Witches meet in places such as these to celebrate the natural wonder and beauty of the moon which we view as a divine symbol of the Goddess.
The popular yet often inaccurate image of the Witch is embedded in the psyche of most. It is true to say that Witches do sometimes meet at night, sometimes around cauldrons and even occasionally naked. However this stereotypical image is only a tiny fragment of the complexity that is the religion of the Witches.
Leaning up against the kitchen bench in a modest house in Glen Waverley, Gavin Andrew calmly surveys the room around him. Dressed in neat casual attire he watches as 40-odd Witches indulge themselves in Samhain (Halloween) revelry, offering a few words here and there to those who approach him for conversation. The party’s masquerade theme appears lost on him yet the quiet dignity with which he stands in his own space clearly names him witch.
Over a year later he recalls exactly what we discussed that night, point by point, precisely and accurately. It is unsurprising then that Gavin has been appointed a spokesperson for the Pagan Awareness Network (PAN). His knowledge of Witchcraft is evident yet it is his authenticity and ability to impart information concisely that makes him perfect for this role.
Asked for his definition of witchcraft, Gavin states quite simply, “Witchcraft is a nature-based religion. Witches identify with the archetypal figure of the witch in European folklore – a figure that symbolises feminine power and stands on the border between the human world and the world of the supernatural.”
There is incredible diversity in the way that witches define their spirituality. In a very large nutshell witches believe in a balance between a God and a Goddess who are personifications of the natural forces of light and darkness. This philosophy is expressed in celebrations of the moon cycles and the concept known as the ‘Wheel of the Year’. These eight solar and agricultural festivals, called sabbats, mark the transition of the seasons throughout the year. Each sabbat conveys a mythology which reveals the mysteries of birth, growth, sex, dying and renewal. Witches therefore view all these aspects of life as sacred.
Gavin believes it is this respect for sexual union as a fundamental aspect of the natural cycle that is helping to change attitudes towards sex.
“I’ve heard of teenage girls who used to have casual sex, but stopped once they begun practicing Witchcraft because they understood that sex is a sacred act – and that one should choose their partner carefully,” Gavin reveals. He goes on to explain how Witchcraft’s philosophies regarding sex and the body are major factors in attracting young people to the Craft.
“Witchcraft provides many opportunities for self-empowerment. It can break unhealthy patterns relating to poor body images and teaches that every woman is a Goddess, no matter what her shape. The Feminine, the Body and the Earth; these have been largely ignored or even demonised by mainstream religions. But I think there’s an increasing desire in people to honour these.”
“Witchcraft promotes sex-positive attitudes that are more in step with modern society – Witches don’t make moral judgements about what consenting adults do in the privacy of their own bedrooms!”
At just 21 years old Sarah is a newcomer to the Craft. Having done only a few simple candle spells Sarah feels she would like to learn a lot more before calling herself a Witch. However Sarah already echoes the same sentiments expressed by Gavin.
“The repressive patriarchal-religion driven society that we live in made me feel very bad about my independence, my sexuality and how I generally felt as an individual. Witchcraft seems to embrace these gifts and I feel as though I am able to embrace my open sexuality without feeling guilty.”
Sarah exhibits a hesitancy that is common to new Craft practitioners and non-Witches alike. While she does feel that many people have the wrong idea about magic being the work of ‘Satan’, she does believe that there are negative forces out there that all Witches should protect themselves from, particularly beginners. While Witches have differing opinions in regards to negative forces, it is apparent that Sarah is serious enough about her path to err on the side of caution.
“I think it’s important for all Witches to focus on protection and purification, read as much as they can and make sure that Witchcraft is a totally positive experience. A lot of Witches talk about ‘Love and Light’ but the darkness is definitely out there. I think beginners should be careful.”
Not keen to discuss her interest in Witchcraft with parents who she feels she does not communicate well with, Sarah prefers to remain in the broom-closet for now. Her thoughts regarding Witchcraft is restricted almost exclusively to her Myspace page which is decorated with pentagrams and pictures of various heavy metal bands. One gets the impression that Sarah feels as though she can only express herself completely while remaining concealed behind the relative security of a computer. This is emphasised by her obvious excitement at having recently made a few friends who share her interest in Witchcraft. “It’s lovely to be in contact with them! It makes life a lot more pleasant and easy.”
Others are much more fortunate when it comes to openly practicing Witchcraft.
Wearing dark and dramatic make-up, Ellie certainly looks the part. But this 24 year old university student asserts earnestly that she has practiced Witchcraft long before she was old enough to wear cosmetics. Ellie recalls fondly a childhood filled with stories, books and cartoons about witches. She tells of a time when at 12 years old her parents gave Ellie her first credible book on Witchcraft.
“From there on I knew beyond any doubt exactly what my path was. At no stage have I ever looked back.”
Ellie is not shy about her beliefs and is seeking to enhance her practice through her university course. Having already completed a BA in Sociology she is now working towards a Ph.D. in Egyptology, a common area of interest for Witches.
Getting married on 31 October, Ellie is aware of how lucky she is to have parents who support her choices. In fact, Ellie’s mother is helping her to design the dress she will wear when she is ‘Handfasted’ to her fiancé. This Pagan ceremony will also be a legal marriage.
Seline Cardamone-Cairns, who just so happens to be an authorised pagan marriage celebrant (though not the one marrying Ellie), is a prominent figure in the Melbourne Pagan community. Similarly, she is entirely open about her choice of religion.
Sitting at the head of a laden table, Seline is in her element. Having cooked a lavish Italian feast she delights at being able to offer exquisite home-cooked meals to her family and friends. As two of her children are all grown up, it is only the youngest who is still at home to enjoy the pampering.
It is amusing then that this full-time mother and part-time photo lab assistant, who greets everyone with a warm lingering hug, can sometimes find herself embroiled in controversy.
Seline is the co-creator of an annual festival known as ‘Euphoria’. Central to this weekend event is the ritual in which the demonised god Baphomet is invoked. Perhaps not surprisingly, the dark nature of the ritual has provoked a mixed reaction from many. Yet in complete contrast Seline herself is warm and endearing. When asked about the so-called ‘dark path’ Seline laughs. “The left-hand path is about going within and discovering who you really are, warts and all. No one can deny their darker aspects for long without repressing emotions and becoming unbalanced.”
Anyone having participated in Seline’s rituals will understand this without a shadow of a doubt. Standing naked in a darkened room filled with the smell of burning sage and frankincense, I am moved to tears by a grandmother who exclaims excitedly that this is the first time she has ever felt comfortable enough with her own body to stand proudly in her own skin; that by removing her clothes she has also removed her fear of how others perceive her. The flames from the cauldron are unmerciful in the stifling hot room, but the sweat pouring down our bodies in rivulets seems to be drawing out the personal anguish of each person present. One by one, women bare their soul, some crying openly as they toss a representation of their pain into the flames to be consumed.
It is the magic of rituals such as these that can truly be life changing.
Essential to the spirituality ingrained in contemporary Witchcraft is the process of understanding the Self. While outwardly Witchcraft may appear to be primarily concerned with spellcraft and seasonal celebrations, equally important is the inner understanding which these celebrations attempt to evoke.
For instance the sabbat known as the Spring Equinox, a celebration of the return of Spring and fertility to the land, is also a way that we may seek to understand the life-giving gifts that we each contain within ourselves. In this way our fertility is not simply a physical phenomenon but is just as importantly the incredible potential that each of us have in being able to create our own realities.
It is here that spellcraft becomes much more than simply a way to obtain our every whim. It is the way that Witches evoke change in their lives and bring into existence the ultimate potential that resides in every human being.
It is this potential that Gavin Andrew sees growing among young practitioners.
“Many Witches show their dedication by honouring Mother Nature. They make a conscious decision to break away from the mindless consumerism shoved down their throats every minute of the day and walk more gently on the earth. This might take the form of becoming vegetarian or choosing public transport over a car. They might plant a permaculture vegetable garden where they live or buy cruelty-free beauty products.”
This certainly is a common theme. Witchcraft promotes conscientious and independent thought, and honours the values of environmentalism, social responsibility, religious tolerance and equality for all. It is for these reasons and more that so many Witches articulate the oft-stated catchcry, “It felt like coming home,” when describing their feelings toward discovering Witchcraft.
This sounds like a simple progression; one of encountering the philosophies of the Craft and of things just slipping neatly into place. However for most the transition is anything but smooth. By far the most common story told is one of drastic upheaval and loss of all that is familiar and secure in one’s life. For these people the discovery of Witchcraft is a beacon of hope and a way out of the darkness.
Softly spoken with a gentle nature, it is a mistake to think that Alex is timid or apprehensive in claiming the title of ‘Witch’ as her own. A medical receptionist by day who is eagerly looking forward to the birth of her first grandchild, Alex attributes her very sanity to Witchcraft.
“I had the biggest breakdown of my life. It was only when I discovered Witchcraft that I discovered my own power. This spirituality gave me hope and a reason to get up again. It is my life-force. It is knowing that we are so much more than our bodies. I can honestly say that it saved my life.”
Alex is happy to share her beliefs with a few close friends but is a private person by nature. When asked what Witchcraft means to her, Alex describes her spirituality with emotive eloquence.
“It is natural, like childbirth, like death, like love, and hate. It is being connected with the ancestors, being at one with the Deities. Witchcraft is being in touch with the very essence of who we are.”